The Sinners

The Sinners (After the End Trilogy #2)

It feels like a long time since I released The Curse.

Hasn’t been that long, think it was around December 19th off the top of my head. Since then I’ve been working on the sequel and I’m delighted to say that The Sinners (After the End #2) will be available on February 27th.

Here’s the blurb (roughish draft – I’m still working on it!)

Two people and a dog wandering through post-apocalyptic America.

Where will they go next?

After the events of The Curse, Eda and David have left New York behind in search of new horizons.

But a new threat lies in wait for the travelers and it’s lurking in a swamp in the former state of New Jersey.

A mysterious cult.

An all-powerful demon called Uncle Sam.

A giant bombsite turned mega-crater.

And the strange, terrifying man at the heart of it all…

After the horrors of New York, things couldn’t possibly get any worse for Eda and David. Could they?

But what if the nightmare had only just begun?

Turning the Wheels (February 2019 Blog)


Ooh my poor neglected blog.

I’ve done so little recently (work-wise), having just returned from a ten-day trip to Tasmania (which was incredible!) and today I found myself staring at the laptop screen, trying to remember how to do the things I’ve been doing so intensely for the past three years. Brainstorming, writing, planning, mapping, marketing, design stuff and so on…It feels like I have nothing to write – my current WIP is with the editor and I won’t get it back until Friday. By now I should have a decent map of the next and final book in that particular series.

I have nothing.

So I tried looking at some Amazon ads that I left running during my trip. A bit of low-demand marketing might make me feel like I’m doing something. Meh! My brain doesn’t want to know. This is life after a holiday. This is me after a holiday. I don’t want to work. I’ve been working like a madman over the past three years and today I’m desperate to be as lazy as I can possibly be. Really lazy – it sounds so tempting. The work, rest and play balance – that can get stuffed. I just wanna rest and hide and go back to Tasmania.

It’ll pass. I did manage to write this pathetic excuse of a blog, which I can’t be bothered to edit. And I wrote a pretty decent review of the pet-sitter, even if I do say so myself.

But I have to get the wheels turning again.

Maybe tomorrow…

The Curse (Chapter One Sample)


Chapter 1

The endless barrage of rain crashed down to Earth. It poured out of a dark sky smothered in thick, bloated clouds that hung low over the once-thriving metropolis.

The man who rode on horseback down 42nd Street didn’t seem to mind the rain. Not judging by the contented, almost serene glow in his eyes. There was a smile on his face too. The soft clip-clop of the horse’s hooves on the wet road was the sound of a leisurely stroll in progress; it was a gentle, even soothing noise, and in stark contrast to the angry weather.

There were over a hundred women lined up on either side of the street, waiting for the man to pass by. They watched him – all of them, a silent and tentative welcoming committee with their heads buried under a sea of brightly colored umbrellas.

Every now and then, an anxious face would peer out from the rim of an umbrella, eager for a glimpse of the latest visitor to their community.

A man.

There was a man in town.

Eda Becker stood in line too, but unlike the majority of the other women, she didn’t bother to shield herself from the deluge with an umbrella. Eda had always liked the feel of the rain – even the icy cold variety – on her head. The books had a word for that – they said she was a pluviophile – a lover of rain and it was a good thing too, considering the nature of the weather these days. The older women in the Complex liked to say that Mother Nature was overworked, that she was still trying to clean the last traces of blood off the streets from the war. Eda couldn’t see any blood on the streets, no matter how hard she looked. The others would be quick to remind her that just because she couldn’t see the blood, that didn’t mean it wasn’t still there.

Eda wasn’t sure what they meant by that.

The rainfall grew more intense. By now it sounded like there were a hundred horses on the road, their heavy hooves stamping off the hard surface, all of them galloping at full speed.

At last, Eda was forced to pop up the hood on her maroon rain cloak.

She watched the man on horseback pass her by and decided to follow him as discreetly as she could. Quietly, the sound of her footsteps lost in the downpour, Eda took a step backwards, removing herself from the long and rigid line of women that had gathered outside to greet the grinning man.

She walked behind the line, keeping her head down. Her eyes stayed alert however, tracking the man’s path as he made his way towards the entrance to Grand Central.

Eda wasn’t doing anything wrong or expressly forbidden. But nobody else had stepped out of line to get a better view. Their loss – it wasn’t every day a man showed up in New York. As she walked parallel to the visitor, she could hear the horse’s hooves still clicking on the ground. It was a strangely satisfying sound, completely new to her. Eda glanced over and saw the permanent grin on the man’s leathery and red grizzled face – it was a gargoyle smile that stretched far and wide. His gray trenchcoat dripped endless streams of water. So did the cowboy hat, tilted back on his skull at a slight angle to allow a better view of the surroundings.

The women broke into a sudden round of applause. It was a muted but joyful gesture of appreciation. They clapped one hand against the knuckles of the other – the one that still gripped the handle of their umbrellas. Although the end result was somewhat muffled, it was at least enthusiastic.

The grinning man waved to the women standing on both sides of the street. There was something regal about the gesture. At that moment, he was like a beloved hero coming home after a long, painful absence. As he smiled, the deep lines and grooves on his old face got deeper.

At last, the horse was brought to a stop close to the entrance of Grand Central. The man dropped the reins, dismounted and as he stretched his stiff limbs, he took a long look around at his surroundings.

The women’s applause began to fade and soon there was only the sound of the rain again.

Eda crept forward, still intent on getting as close to the action as possible. Fortunately nobody was paying much attention to what she was doing. As she approached the end of the line, not far from the station entrance, she watched the grinning man as his eyes scoured the bruised and battered surroundings of Manhattan.

His grin slowly faded and Eda wondered if he was remembering the past.

The area he was looking at had been a major crosstown street in the borough of Manhattan and housed some of the city’s most recognizable buildings. Some of them were still intact but many were gone now. The New York Public Library was a pile of rubble, as was the former Headquarters of the United Nations. Times Square looked more or less like a crater, but Grand Central Terminal had remained untouched – a minor miracle considering its importance during the war when it had performed a crucial role in supply transportation.

A tall woman with an umbrella stepped out of the station entrance. She walked onto the street and approached the man at a steady pace. Like Eda, this woman appeared to be undisturbed by the intense rainfall that had besieged the city. She wore a bright red rain cloak – the sort of garment that was worn by all the women in the Complex. These were essentially old raincoats with large hoods and long cloak-like tails that trailed down the back, stretching almost to the heels. These had been stitched together from a variety of different items scavenged across the city. The rain cloaks weren’t pretty by any means, but they were warm and bulky, so much so that it looked like the wearer had a tent wrapped around them.

Long strands of greyish-brown hair poked out of the edges of the woman’s hood.

Upon seeing the woman in the red cloak, Eda stepped back into the end of the line. Mission accomplished – she was now only a short distance away from the grinning man and his horse. She lowered her hood and tried to act like she’d been standing there all along. Despite this, Eda could feel some of the women in the opposite line staring at her, or maybe she was just imagining it. It didn’t matter. With any luck she’d be able to listen in on the upcoming conversation with ease.

“Welcome to New York,” the woman said.

She raised her umbrella, positioning it over the grinning man’s soaking head.

“Welcome to the Complex,” she said, offering an outstretched hand. “My name is Shay and I’m very pleased to meet you.”

The man didn’t say anything at first.

He patted his horse on the side and a long time seemed to pass before he accepted the offer of a handshake.

Shay turned around and gestured to someone standing behind her. Almost immediately, a middle-aged woman in a brown rain cloak came up behind them. The woman pointed to the horse, then said something to the man that Eda couldn’t hear. The man nodded and a moment later, the woman took the lead rope in hand and led the horse away from the station.

“This is the Complex?” the grinning man said.

“Yes it is,” Shay said with a nod. “Have you traveled far?”

The man nodded. For a second, he looked old and exhausted in the face. His body sagged a little too. Eda guessed he was probably in his early sixties but it was hard to tell with people of that generation – the war had put so many years on them that most were older than their appearance would suggest. No matter how much they smiled, the past would show up sooner or later in their eyes, that little trace of leftover heartache that always wore them down gradually.

He was a big man. He literally towered over Shay, which was quite a feat considering that Shay herself was at least six feet tall without her boots on. As she stood beside him, she had to work to keep the umbrella over his head.

“Well I met your ambassador,” the grinning man said, wiping the damp hair off his face. “She was quite a gal.”

“Which ambassador?” Shay asked. There was a curious glint in her eyes.

The man shrugged like he didn’t really care. Eda saw him glance towards the tip of the Chrysler Building, its distinctive presence still towering above the city skyline. The grinning man’s eyes lingered there for a few seconds before he turned his attention back to Shay.

“Oh I’m not sure,” he said. “Deborah? Deirdre? Any of those ring a bell? It was definitely a ‘D’ name – of that much I’m sure. She was about fifty years old, maybe a little older. Real skinny bag of bones type. She looked hungry as hell but a real determined gal you know? It looked like she’d crawled through Hell and swum across the Lake of Fire before she found me.”

“Denise,” Shay said. “So you came up from the south?”

“Yeah,” the grinning man said. “Been in Pennsylvania for a while but I wandered up from Virginia originally.”

“Virginia?” Shay said. “What’s it like down there?”

“Dead,” the man said, shaking his head.

“You saw no one?” Shay asked.

“Virginia’s a ghost state,” the man said. “There’s no one there anymore. I bumped into a couple of old-timers living out of a bus in Pennsylvania but that was it. I’m telling you, America’s gone – it’s really gone. You gotta see it to really appreciate that fact. This here’s the biggest crowd I’ve seen in a very long time. What have you got here anyway? One hundred, two hundred people? And all ladies too – guess that makes me kind of special, right?”

Shay’s lips curled into a half-smile.

“And what did Denise tell you?” she asked.

“She told me what I needed to know,” the grinning man said. “Told me you little ladies got a special project going on right here in New York. What a story that was – fascinating.”

He raised his eyebrows. The grin on his face was devilish.

“Project with a capital ‘P’,” he said. “Isn’t that right?”

“Yes,” Shay said.

The man looked over his shoulder at the women who’d welcomed him to the city. They were still standing in two neat lines on either side of the street.

“I know what you need,” he said, turning back to Shay. “So where is she? Is she standing over there with the rest of them? Where’s the girl with the face that launched a thousand ships?”

“You don’t waste any time do you?” Shay said, with a soft laugh. “I thought you’d be exhausted after such a long…”

“Helen of Troy,” the man said, butting in abruptly. “I’ve had a long journey and it was all to meet her. To do what we have to do. So where is she?”

“She’s not here,” Shay said.

The grinning man frowned.

“I hope she’s somewhere close,” he said.

Shay nodded. “Of course she is,” she said. “Didn’t Denise tell you? Helen is kept separate from the rest of the women in the Complex for many reasons. She resides in the Waldorf Astoria on Park Avenue and right now she’s getting ready to greet you.”

The man laughed loudly, a spluttering noise that sounded like something was clogged up in his throat.

At the same time, Eda caught Shay looking over at her. There was a strange look on the older woman’s face – something that Eda couldn’t quite pin down.

Pity? Amusement?

“Eda,” Shay said. “You weren’t standing there earlier.”

Eda felt like all the eyes in New York had turned towards her. Her skin was burning. She opened her mouth to say something to Shay but the words were stuck on the tip of her tongue.

Shay smiled.

“If you’re going to take such an interest in our conversation,” she said, “why don’t you come over and offer to carry this gentleman’s bag while I show him around? Make yourself useful, yes?”

Now it was the grinning man’s turn to have a look at Eda. As he glanced over his shoulder, his eyes narrowed. It was as if he was looking at a rare and peculiar species of animal – some form of life that he didn’t quite understand.

He licked the rainwater off his lips.

“Cute,” he said.

Eda’s body stiffened.

“Eda?” Shay said, beckoning the young woman over with a curled finger. “Get the gentleman’s bag please.”

Eda nodded and crept forward. Despite the discomfort she felt at being singled out, she would at least get to follow Shay and the stranger around for a while longer and listen in further on their conversation.

“You don’t need to show me around,” the grinning man said, looking at Shay. “Truly ma’am. I’d prefer to get right down to work if you don’t mind. Or isn’t she fertile right now?”

“As a matter of fact she is,” Shay said. “Usually men show up at the wrong time and so we’ll put them in a hotel until Helen’s body is ready to receive. As far as I can recall, you’re the only one who’s ever arrived at the perfect time. It’s almost like it’s a sign, wouldn’t you say?”

The man nodded. “Lucky me.”

“Yes indeed,” Shay said. “Nonetheless, Helen isn’t quite ready for you yet. She won’t be long and in the meantime, why don’t you let me show you around? I can tell you a little about what’s happening here in the Complex. After that, you can go straight to work. I promise.”

The man looked too tired to argue with Shay.

“Sure thing,” he said.

“Eda!” Shay said. “Come on. Get the gentleman’s bag please.”

Eda nodded and hurried over to where Shay and the grinning man were waiting. She heard some of the women sniggering at her back but she didn’t care. Let them stand there in the rain and get soaked.

“Can I take your bag?” Eda asked the man. She kept her distance from the newcomer but couldn’t fail to miss the peculiar smell of aged leather that drifted off either his clothes or skin.

There was a withered backpack at the man’s boots.

“I can carry my own bag,” he said. “There’s not much in there.”

“Nevertheless,” Shay said, stepping forward. “You’re our very special guest and if we treat our beloved Helen like a queen then you must let us treat you like a king. It’s only fair.”

The man smirked and scratched at the jagged stubble sprouting up off his chin. With a nod, he picked up the small bag and thrust it into Eda’s hands.

“Whatever makes you ladies happy,” he said. “There you go sweetheart. You’ll take good care of that for me, won’t you?”

“Thank you,” Eda said. “I mean, yes I will.”

He laughed.

Eda slung the bag over her shoulder and it weighed next to nothing, almost like it was empty. She imagined that the long hunting knife strapped to the grinning man’s waist was the most important possession he carried around with him. He must have been quite the skilled hunter to survive out there with just his wits and a sharp blade.

The three of them walked towards the entrance of the station. Eda kept a few paces behind the others, hoping that they’d forget she was there.

“Why this place?” the grinning man asked. “Why Grand Central?”

“It’s intact for a start,” Shay said. “But we don’t live or sleep here – it’s more of a gathering point for the women. It’s the heart of our community.”

“So where do you sleep?” the man asked.

“Nearby,” Shay said. “The women help themselves to whatever accommodation they can find. Hotels, abandoned apartments or stores – it’s entirely their choice when it comes to where they spend the night.”

“And where do you live Shay?” he asked.

“In the Waldorf Astoria, close to Helen.”

“The Waldorf Astoria,” the man said, chuckling quietly. “How lavish you are. It’s still in good condition then?”

“It’s in perfect condition,” Shay said. “The looters never got anywhere near it, thank God. It’s a piece of history as far as I’m concerned.”

The man pointed to the station as they approached the door.

“This one’s a piece of history too,” he said. “Grand Central, I’ll be damned. I remember this place from back in the day – it’s classic New York.”

“For me it’s a symbol,” Shay said, looking up towards the roof with a proud eye. “This place, it changes with the times – this was actually the third station to occupy the site here. Back in the early twentieth century this building embodied the ascent of New York. It expanded in harmony with the city’s growth, a constant symbol of change, going back to when they razed the old building to construct a new station, replacing the steam locomotives with electric trains.”

“You know your history,” the man said. “Well done.”

“I’m a proud New Yorker,” Shay said. “Born and bred. And I’m sure this building survived for a reason. It represented regrowth in the past and that’s what we’re all about now. What this is about. The Complex. The Project. That’s why we sent out the ambassadors and it’s why you’re here today. This building will oversee the preservation of the human race. And not a moment too soon – we’re running out of time.”

“Yeah,” the grinning man said.

“Let me show you inside,” Shay said.

As they walked towards the door, Shay pointed at a row of long, rectangular flowerbeds outside the building’s exterior. Short stretches of awning leaned over the flowerbeds, offering at least some shelter from the strong winds that often accompanied the rain.

“We call them the gardens,” she said, lowering the umbrella and closing it before walking inside. “But really it’s just a small collection of plant foods that we grow – they’re our lifeline. We keep mostly, low-maintenance crops – potatoes, beetroot, carrots, kale, onions – and some others. A quick weed, water and little fuss.”

She pointed a finger towards the sky.

“The water comes easy – that’s one good thing about all the rain. It’s low-input, high-output in terms of the food we grow here, and that’s good because we have over a hundred and fifty mouths to feed. We have some wonderful gardeners and chefs here at the Complex. And you help out too sometimes, don’t you Eda?”

Eda was still lagging a few paces behind.

“A little gardening sometimes,” she said with a shrug. “Nothing much.”

“How do you store the water?” the grinning man asked.

“We have large barrels to collect the rainwater,” Shay said. “There’s plenty of water kept in storage. It’s a crude system overall but it works extremely well. It’s amazing how much water we can accumulate from just one large rainfall. There’s no excuse for dying of thirst anymore.”

The man glanced over his shoulder at Eda.

“That your kid?” he asked Shay.

“Eda?” Shay said. “No. Eda never knew her mother, not really. She was orphaned at a very young age during the war.”

“What is she?” the man said. “Thirty? Thirty-five? I haven’t seen anyone that young in a long time.”

Shay nodded. “Considering how things are, I’d wager she’s one of the youngest people left in the country. Most of us in the Complex are in our fifties, sixties or older.”

“Yeah I noticed,” the man said. “And what about Helen?”

“She’s roughly around Eda’s age,” Shay said.

“Thank Christ for that,” the grinning man said.

As they walked further into Grand Central, he whistled his appreciation.

“This place is gorgeous,” he said.

“Yes it is,” Shay said.

The main concourse in Grand Central was almost three hundred feet in length. A massive celestial ceiling, twelve stories high, adorned the concourse, painted with two and a half thousand stars and zodiac constellations. The information booth and the ticket vending machines gave the impression that the station was still operational. Eda’s favorite feature however, was the four clock faces located on top of the information booth, all made from opal.

“So this is where you girls hang out?” the grinning man said.

“This is where we gather,” Shay said. “This is where we grow, think and plan for the future of our species. The Project – the dream of reconstruction was first born here.”

The man made a loud snorting noise.

“You’re sure as hell clinging on to the past,” he said, shaking his head. “Who says we even deserve a second chance? After everything that happened.”

“We’re clinging onto life,” Shay said. “And it’s not the past we’re interested in, it’s the future.” She pointed to a variety of large and small pot plants on the outskirts of the concourse. “Life goes on, inside and outside this building. It will continue to do so with the right amount of love and care. Life surrounds us. It’s stubborn and has an inherent will to survive, and yet the one form of life that we seek to prolong most of all eludes us.”

“Guess that’s why I’m here,” the man said. “Right? You need somebody to water that special plant you’re keeping in the Waldorf.”

There was a grim look on Shay’s face. Her skin looked pallid and thin.

“If only it were so simple,” she said in a quiet voice.

The grinning man frowned. Eda imagined that he’d been quite a physical specimen many years ago. He was still a force now but age, along with life’s wear and tear, had manifested on his giant body in the form of gray hair, wrinkles and a slightly protruding gut.

“It’s simple enough,” he said to Shay. “I move into the Waldorf and put a baby inside your queen. Look, I might be sixty-something years old but I’m probably the most fertile man you ever saw in your life. I had four young boys before the war and…”

He stopped all of sudden. It was as if he was unable or unwilling to continue down that line of thought.

“Never mind,” he said.

“You’re very confident,” Shay said. “I can see that. But so were all the other men who came through here before you. Just like you, they said all the right things before they went to see Helen. Tell me something if you please. Why don’t you fear the curse?”


The Curse (After the End Trilogy #1) is now available on Amazon. Click here for more info.


November News!


Hi everyone,

Hope you’re all well. It’s been a busy couple of weeks here at Gillespie Castle.

At the end of last month I released the second story in the GrimLog (Tales of Terror) series – Air Nosferatu. And just recently in November, I put out The Exterminators Trilogy Box Set (featuring Black Storm, Black Fever, Black Earth).

If you’re on the Reader List you would have received info about the 0.99 offer for the box set that ran over the first thirty-six hours of its release. I hope some of you managed to take advantage of that. It’s up to 7.99 now and it’s also available for KU subscribers to read for free.

As of this moment, WaxWorld is also on deal at 0.99!

Now there’s not much time left in 2018 but (drumroll)…there’s still time for one more release – I hope! I’m working on The Curse, the first book in a brand new post-apocalyptic trilogy. The manuscript is with the editor right now and it’s in a scruffy second draft mode. I’ll get the book back later this month and go all in on the later edits, hopefully it’ll be out mid-to late December at best.

Need to get the skates on though.

Okay, that’s all for this quick update. It’s a sunny Sunday here in Melbourne and I want to get away from the screen for a while! I’m sure you understand 🙂

All the best,


October Update!


Hi everyone,

Hope you’re keeping well wherever you are in the world. Here’s a very brief update to let anyone who’s interested know what’s coming up book-wise over the next few months:

On October 31st (otherwise known as Halloween), I’ll release the second short story in the pulpy twisted horror madness that is GrimLog. Air Nosferatu is the title of story number two and if you like the idea of vampires on a plane then I think you’re going to like this one. Working hard to get it ready. The story will be 0.99 on Amazon or it’s free if you subscribe to my newsletter.

Then approximately halfway through November, I’ll release The Exterminators Trilogy Box Set. You might recall this is the post-apocalyptic horror series I penned earlier this year featuring Black Storm, Black Fever, and Black Earth. We’re working on a cover for the box set right now (when I say we, I mean my designer Vincent is). Look forward to sharing the artwork soon.

The final release of 2018 will be in mid-December and it’s a post-apocalyptic thriller called The Curse. I’m in the early draft stage right now. Won’t say too much because a lot will probably change between now and December. That’s the way it goes. This is the first book in a new trilogy – ‘After the End’.

Also, hoping to get back into The Future of London series early next year. Just going to revamp the covers before I put book number six out.

Lots of stuff happening.

That’s all for now. Take care everyone, thanks for the support and see you soon!


Apex Predators (Preview!)


Apex Predators


“What the hell’s wrong with that TV?”

Bill Bridges growled at the television screen that was flickering on and off like a strobe light in the living room. Damn thing wouldn’t stop. It was getting painful to look at but Bill had to suck it up – he was trying to watch the news.

And the news was pretty big.

Bill was standing at the kitchen sink of a beautiful two-story beach house in New Smyrna Beach, located on the central east coast of Florida.

His soap-drenched hands writhed furiously under the warm flowing water, working off the last of the filth that he’d acquired after a hard morning’s work doing various bits and pieces around the house.

But Bill’s mind wasn’t really on the clean up job at the sink. He was more focused on the news broadcast blaring out of the TV in between regular spurts of crackle and flashing light. A woman with a troubled expression was sitting behind the news desk. She was dressed in a conservative yet stylish blue suit; the make-up on her face had been applied flawlessly, the hair perfectly rigid, and yet there was something wrong – it was right there in her eyes. They were constantly on the move – jumping back and forth between the sheet of paper on the desk and someone behind the camera. Bill found this jerky habit to be distracting, almost dizzying, but he tried to block out the woman’s body language and listen to what she was saying.

Most of the details passed him by due to the constant electrical interruption, but he caught the essentials:


 Beyond control.


 …thousands moving across the south-eastern coast in South Carolina, Georgia and Florida…

 Military strikes…

 …advise people to stay in and lock their doors.


 …lock your doors. They’re c…

The TV screen went blank.

Bill turned off the tap, grabbed a dishtowel and dried his hands.

He shook his head, thinking about how all the other big news stories of recent weeks had paled into insignificance in the wake of the outbreak. All those things that were such a big deal at the time – the growing tensions with North Korea, the inevitability of climate change, the guy who’d performed the highest tightrope walk ever in Melbourne Australia, the serial killer in Florida who liked to chop off the heads of his victims, the World Cup semi-finals and last but not least, the discovery of a horde of Nazi relics in Patagonia which led many people to believe that Adolf Hitler had survived the war and fled to South America.

None of it mattered anymore.

There was a scream outside.

Bill didn’t flinch. He knew it was nothing to worry about. He’d been hearing screaming like that outside on the beach all morning and fortunately those weren’t your regular high-pitched George Romero shrieks of terror. Those were happy screams, accompanied by raucous fits of laughter and frequent yelps of delight.

Loud music was blaring too – the good stuff from the 1980s like Prince and Michael Jackson.

It sounded like a helluva fun time.

From what Bill could gather, the people in one of the houses further down the beach were having a fancy dress party. The party had long since spilled out of the house and onto the beach and Bill had already spied a variety of impressive costumes through the kitchen window.

Fair play to them, he thought.

The zombie apocalypse wasn’t going to spoil their fun. Damn right. And now that Bill had finished his work for the morning, he planned to go out and join them.

A cold beer sounded very nice indeed.

He looked at his hands one more time, checking they were thoroughly clean. Then he walked over to the TV and gave it a hard slap on the back. A loud thud was all that happened – the TV was dead, the news report long gone.

Bill tilted his head.

Was it the TV? Or was the problem back in the news studio?

He tried some other channels. Nothing but a blank screen.

“Stupid,” he said.

Bill wasn’t so much bothered about the prospect of zombies on his doorstep as he was about missing the World Cup semi-final later that day.

Italy versus France.

That was must see TV for God’s sake. Bill was at least a quarter Italian.

Besides, they’d been talking about zombies for days. Or was it weeks already? Scaremongering sons of bitches on the TV, Internet and anywhere else that served up fake news on a daily basis. Everyone knew what the media was like. Hype machine. Zombies – that was a joke! It was probably a bunch of drunken rednecks in Alabama who’d strayed beyond the state line and who just happened to put the fear of God into a couple of hysterical, oversensitive old ladies in Georgia.

The next thing you know, Fox News are talking about zombies.

Bill laughed out loud.

Oh really? So why don’t they show any footage of the monsters? Because it would upset the kids?


As far as Bill Bridges was concerned, if they weren’t on his doorstep then it wasn’t happening. The zombie apocalypse was nothing more than the media up to their old tricks again, trying to control the non-thinking population with fear tactics.

“And I ain’t gonna miss that soccer game,” Bill said, wagging a finger at the TV. “So you’d better start working mister. Got it?”

Outside the music came to a sudden stop.

Bill glanced towards the window. His face scrunched up in confusion. The immediate silence that followed that long run of breezy 1980s mega-hits that had been playing all day was unnerving.

He walked out of the living room towards the kitchen window. Before he got there, the sound of a woman’s scream forced Bill to clap his hands over his head.


That wasn’t a happy scream anymore.

Bill heard the muffled roar of somebody shouting. It was a wild, panicky noise. He took his hands off his ears, eager to catch the gist of what was going on out there.

“They’re coming!” somebody yelled.

“Not that way,” a woman shouted. “You can’t go that way. Stay away from the road!”

“To the water!” a man’s voice cried out. “Everybody. Get into the water! Now!”

Bill looked outside, his heart racing. The kitchen window offered a gorgeous view of the Atlantic Ocean, usually so tranquil and sublime. Not today. A screaming stampede of people were fleeing down the beach towards the water, the majority of them wearing fancy dress costumes. Some small groups of five or six were carrying rubber dinghies between them. Most people however, were jumping into the water with nothing. They were charging towards the deeper water, swimming for their life.

Bill saw a lot of frightened faces looking back towards the shore as they hit the water. Their eyes bulged with terror, gawking at something behind the row of beach houses.



Want to keep reading?

Apex Predators is the first story in the GrimLog (Tales of Terror) series. It’s available to buy here for just 0.99. 

The Music of Writing: The Space in Between the Notes


What can music teach you about writing?

Translating the lessons learned from one craft and applying them to another. Is this possible?

Of course it is.

Before I wrote books, I was a musician. I’d been playing guitar since the age of fifteen and switched to bass in my early twenties.

It was fun.

I was a bit of a show off in the early days to be honest, especially on the bass. I took to the instrument quickly. I was a busy player. Playing too many notes. Playing to get noticed by the girls (it worked – I married one of them in the end!)

Compare that to when I started writing. Writing too much. Too many words. Telling, telling, telling. Trying to get noticed by the girls again? Eh, well no.

But there are similarities between the two types of busyness.

In music there was no space in between the notes. No room for the listener to insert something of themselves. Their thoughts and feelings and longings – all the things that a great piece of music can evoke in us. You need a little space for that. This is something that you learn to add in when you mature as a player and it applies to so many other aspects of life, including writing – what you don’t play or write is just as important as what you do play or write. Sometimes what you leave out is more important.

I am of course talking about the space in between the notes. Where the gold is.

Similarly, I left no room for magic in my stories. Too many words. Trying to cram too much in there and that meant I left no room for the reader’s imagination to fill in the gaps. It was tell, tell, tell. Busy, busy, busy. It was all about me and not about you. I was that same little show off in the rehearsal room again, doing it all wrong and thinking that it was great.

Sometimes it sucks to get old.

Not all the time though. A mature author and a mature musician (mature, not old!) learn to go beyond the superficial, eye-catching stuff as they progress in their chosen art. They realise with some certainty that the old saying ‘less is more’ is more than just a good line.

It’s the truth.







So how does this translate to writing?

Black Storm (Chapter 1 – With Author Notes)




Chapter 1

(With Author Notes)


“We gotta run okay? We need to get out of here.”

(Yikes! This is me trying to go for a killer first line. They always say that – write a KILLER first line. So important, so they say! Personally I think the first ten pages are a lot more important than a single line, even if it is the first one. Who gives up on a book after one sentence? This one’s not bad, I don’t know if it’s KILLER though. At the very least, I want to make the reader curious or unsettled enough to read on.) 

Cody MacLeod kneeled in front of his daughter and squeezed her gently on the upper arms. She felt fragile, like a china doll. “Whatever happens, we can’t let the bad woman catch up with us,” he said. “She makes people do bad things. You know that don’t you?”


“Do you understand Rachel?” Cody said.

Rachel nodded her head.

“We’ve got to stay one step ahead of her,” Cody said, pushing a few loose strands of blonde hair off Rachel’s face. “Two steps, three steps.” His voice was shaking and he took a deep breath before saying anything else. This wasn’t a good time to lose it and even if he was on the brink, he couldn’t let Rachel see.

(Bad woman. Her. No names given. Who is Cody talking about? This is me trying to be all mysterious and not give too much away. What do they call it – intrigue? Something like that? I’m still trying to reel you in. Thing is, if you’d read the blurb (and most readers would have before buying) you’ll know who/what is being referred to here but if not, great. I’m writing to you people!)

They were in the hallway of their house in Spring Branch, Texas. Cody turned towards the front door where two bulging backpacks were sitting. One of them was plain black and the other featured a rainbow colored sky with two silver ponies grazing in a field of green grass.

(Why Texas? Ehh, why not? It went like this – I had an idea about a burned out actor living a reclusive life far from the mad temptation of Hollywood/Celebrityville. I wanted somewhere that it would be easy to disappear. Texas is big and there’s a lot of room there. It could’ve been Alaska too – that would’ve been cool. Shit, it might have been better. Anyway, I googled for ages before I landed on Spring Branch. It felt right and yet not too far from San Antonio, which I also felt drawn to. Might have been the Alamo thing. By the way, Google Maps is incredible. A writer’s dream.)

“All we gotta do is walk out the door,” Cody said.

“Are we leaving for good?” Rachel said. Cody saw the confusion in his daughter’s indigo blue eyes – the same indigo blue eyes that he’d possessed as a child before the years had dulled them.

He nodded. “Yeah I think so.”

Cody heard the Black Storm blowing outside. The wind was howling and moaning – a crude B-movie sound effect that had escaped from the big screen into the real world. Still it was relatively calm, at least compared to the gale force winds that had been blowing the night before when Cody had made the decision to leave home. It was a decision that would either save their lives or seal their fate.

There was doubt in the little girl’s eyes. Cody could tell that she wasn’t sure he was making the right call and Jesus, who could blame her? He wasn’t sure about it either.

“Geez kid,” Cody said. “Don’t look at me like that. You’re looking at me the way other people used to look at me back in the eighties and nineties. That’s Grandma’s eyes I see in you right now. You don’t trust me? You don’t think we should go?”

Rachel managed a lazy shrug of the shoulders.

“I’m not on drugs honey,” Cody said. “I swear on your Mom’s soul.”

(A note on former child megastars. I chose the name Cody because it’s close to Corey. The character of Cody was conceived as a cross between Corey Haim, River Phoenix and Robert Downey Jnr. Troubled former child/teen stars, all of them. If Black Storm the movie ever gets made you’re up Downey Jnr. The role of Cody is all yours. Unfortunately the other two aren’t around to contest that anymore RIP Corey and River.) 

“I know Dad,” she said. I’m just scared.”

He pulled her closer. She was so beautiful and innocent – the only perfect thing in his life. And she’d remained perfect – thank God for that. Had Cody stayed in Hollywood to try and claw back his career, the industry would have noticed her. It would have sunk its teeth into Rachel and ruined her like it did for her mother, Kate. No chance – that was one of several reasons that Cody and Kate moved to Texas ten years ago. Cody would die before he gave those bigwig assholes in LA the chance to get their hands on his daughter.

He smiled at Rachel.

“I’m scared too,” Cody said. “But we have to go. You’ve watched the reports on TV. You’ve heard it on the radio. You know what people are doing to themselves, to each other out there. You know how dangerous it is and you know how dangerous she is.”

(Still haven’t said who she is…tension and all that. This chapter probably reads better if you haven’t read the blurb. It’s like going into a cinema and knowing nothing about the film you’re about to see.)

Rachel didn’t blink. Despite her saying she was scared, she looked calm –older than her ten years. Sometimes Cody thought, kids did adulthood better than most adults.

“Is it the woman in the long black dress?” she said.

“Yes honey. It’s the woman in the long black dress.”

Rachel nodded.

“I saw her in my room last night,” she said.

Cody’s hands fell off his daughter’s arms. His mouth hung open and the cold air that haunted the MacLeod residence slid down the back of his throat. He looked at Rachel, his eyes racing over her blue denim dungarees and the white long sleeved t-shirt that she was wearing underneath. He ran a finger down her blue and white basketball shoes, not sure what he was looking for. Damage – but what sort of damage?

With cupped hands, he touched her face.

“She was in your room?” Cody said. “Last night? Did she say anything? I mean, did she try and talk to you – to make you do anything? Did she tell you to hurt yourself?”

Rachel shook her head.

“She was just standing at the edge of the bed looking at me,” she said. “Her face is like a mannequin. That’s what they said on TV. She looks like a giant doll with silver lights instead of eyes.”

(Dolls scare the hell out of me. If ever you want to give me the creeps, just show me pictures of dolls. Please don’t ever bring one to my house though. Dolls are my evil clowns…)

“Weren’t you scared?” Cody said. His heart was pounding.

“No,” Rachel said. “Well, not really.”

Cody buried his face in the palm of his hand.

“Jesus Christ,” he said, almost losing his balance and toppling over onto the hardwood floor. “Tell me something kid,” he said. “This is really important. Is that the first time you’ve seen her?”


“Well then it’s definitely time to go,” Cody said. “She’s starting to pay too much attention to this family for my liking.”

Rachel’s eyes were wide open. “You’ve seen her too?”

Cody nodded. “Yeah.” Several times.

“They’ve been talking about her on the radio Dad,” Rachel said. “People are seeing her everywhere. China, Europe, Australia, Brazil and lots of other places that I’ve never heard of.”

“Yeah I know,” Cody said. He was itching to leave. He wanted to grab Rachel and get her out of the house immediately.

“All the people who see her end up dead,” Rachel said. “That’s what they say, isn’t it?”

(Where did the Black Widow come from? It’s a vague memory to be honest. I read an article online somewhere about a woman in America who’d been spotted walking the streets dressed in old-fashioned mourning clothes. I can’t quite remember the context but the article made it sound like she was almost ghostly – or perhaps that was just my interpretation. It was weird and that’s why sometimes I think it was a dream. I can’t find anything about it on Google and yet it struck me as noteworthy. I can’t remember, honest! Whatever it was, it gave me the idea of this phantom woman walking not just across America, but across the world, dressed in black, punishing us for our wrongdoings. The Black Widow. It developed from there but that’s where this entire trilogy started – with an article that might not have even existed.)

Cody squeezed tight on her hand.

“Not everyone,” he said. “Like I said, I’ve seen her too.”

“In the house?”

“Yeah, in the house. That’s why we need to go.”

Rachel looked thoughtful. Her eyes darted around the living room before returning to him.

“Is she chasing the world? The whole world?”

Cody straightened the collar of his black cotton shirt.

“Yeah honey,” he said. “I think she’s chasing the world. And that includes us – you and me. We’ve got to get away from this house because I’m not going to let anything happen to you. Okay?”

Cody was glad to see that Rachel could still smile.

“Okay,” she said.

Outside the Black Storm grumbled. It sounded like it was an angry giant sitting on the roof of their house, waiting impatiently for them to come out.

Cody tugged gently on Rachel’s arms. She didn’t move.

“Where are we going?” she said.

It was a good question.

Cody nodded. “You remember my friend?” he said. “A big guy called Nick Norton?”

Rachel shook her head.

“Sure you do,” Cody said. “You met him once. He works on Alaska Airlines, flies out of San Antonio all the time. He’s an old school buddy of mine from LA. He was in the movies too when he was a kid, just like your old man.”

(I might have chosen Texas but I managed to get Alaska in there somewhere. On a side note, if I ever lived in America, I’d choose Alaska. Yes it’s cold but it’s so beautiful.)

“I don’t know,” Rachel said.

“Big black guy, all mouth and muscle. He was over here about four years ago. You must remember – it’s not like we have a ton of guests or anything like that.”

“What about him?”

Cody leaned in closer. He felt the need to whisper.

“He’s got a plane,” he said. “It’s a big plane – Boeing 737-800, fully fuelled and ready to go. He’s invited us along – some of the other pilots and their friends and family will be there too. I got a text from Nick about fifteen hours ago – the plane is at the airport right now, waiting for everyone to arrive. You understand? We’re going to drive down to the airport and get on Nick’s plane.”

(Airplane stuff! Having flashbacks to some seriously boring moments looking up info about Boeing 737-800 planes. Capacity, that kind of thing. Some research is fun. This wasn’t. Zzzzz…)

Cody’s face darkened.

“Only problem is I can’t get in touch with Nick anymore,” he said. “My phone keeps jamming up.”

Rachel’s eyes lit up – a mixture of fear and curiosity.

“Because of the Black Storm?”

“Maybe,” Cody said. “But it doesn’t matter, not as long as we get to the airport in good time. He’ll wait for us, I know he will.”

Rachel’s expression was grim.

“We’re going up into the black sky?” she said, pointing to the ceiling. “What’s up there?”

Cody followed her finger towards the ceiling. Kids and their questions, damn it. Who knew what was up there in that black shroud that had wrapped itself over the Earth? Something, maybe nothing. Everything was black these days – even the inside of the MacLeod residence. The curtains were pulled over all the windows, shielding them from the sight of the Black Storm, the mysterious force that had come out of nowhere and robbed the world of sunlight.

(Going back to names for a second, I chose MacLeod as the family surname because…wait for it…I watched Highlander for about the fortieth time just after starting the book. The characters even talk about the film at one point so I was definitely on a Highlander buzz.  What a film. That soundtrack! I miss the 80s so much.)

“It can’t all be bad up there,” Cody said. “We gotta try. Anything’s better than staying down here on the ground while people go mad and do bad things. I’ll bet you it’s safer up there. Yeah?”

Rachel looked down the hall towards her bedroom.

“I want to take Bootsy with me,” she said. “If we’re not coming back.”

(Sticking with names – Bootsy the bear was named after Bootsy Collins, the great funk and soul bass player who worked with James Brown and Parliament. Didn’t that teddy bear just get a little bit cooler?)

Cody sighed. He couldn’t hide his growing frustration any longer. They should have been gone already. He didn’t want to hang around the house one second longer than he had to. He tugged gently on her arm, with more urgency this time.

“You’re too big for that teddy bear,” he said. “You’re ten.”

The look on her face stopped him dead.

“Mom gave him to me,” she said. “Remember?”

Of course he did.

“I’ve packed a ton of photos of Mom in the bag,” he said. “Lots of photos. We’re not going to forget her.”

“I want Bootsy,” Rachel said. Cody almost smiled – it was like Kate all over again. If she wanted something, she was going to have it.

“Alright kid,” he said, letting go of her arm. “Get Bootsy but don’t stay in that bedroom one second longer than you have to. I’ll grab the bags.”

Cody watched her run down the hallway. He felt uneasy watching her go through the bedroom door knowing that the Black Widow had been in there last night. Cody had already seen the ghostly figure several times in the house but there had been no words spoken. That was something to be grateful for at least. And now the Black Widow was coming after Rachel? Any doubts Cody might have been having about leaving had shattered with that revelation.

A few seconds later, Rachel came running back down the hallway with the beat-up teddy bear swinging at her side. She looked content.

“All set?” Cody asked. “Can we go now?” He picked up the two backpacks and flung one over each shoulder.

She nodded. “Just one thing?”

“Oh c’mon Rachel. Let’s get out of here.”

“Who is she Dad?”

The two backpacks slid down Cody’s arm in slow motion. He squatted so that he was almost eye level with Rachel.

“She came out of the Black Storm,” he said. “At least that’s what people say but we don’t know for sure. Everything – the black sky, black rain and the Black Widow – they’re all connected. All these things are part of the Black Storm.”

“And it makes people do bad things?” Rachel said.

Cody nodded. “Very bad things.”

Rachel smiled. It was a great smile – sudden and unexpected.

“We’d better go,” she said.

“Right honey,” Cody said. “Now you’re talking.”

He opened the front door and they stepped outside.

It was dark. A permanent state of dusk hung over the world – a rotten, simmering blackness and it was everywhere. It was unending too. Blue skies and sunlight were a distant memory. The air was thick and muggy and scentless. A stiff wind was blowing and the trees that surrounded the remote two-storey house were swaying.

They walked towards the car in the driveway. Cody’s white 1970 Dodge Challenger was one of only a few references left to his Hollywood past. He was probably the only part-time freelance writer in the world who owned such a vintage car. It was a little much but Cody loved the Challenger with all his heart. It was a perfect replica of the car used in Vanishing Point, one of his top five all time movies. It wasn’t just an ornament either – he kept the Dodge in outstanding driving condition and a good thing too – he was going to need it firing on all cylinders if it was going to get them to the airport.

(I was so happy to finally have found an excuse to put a white 1970 Dodge Challenger in one of my books. It just felt right this time. Have you seen the original Vanishing Point? If I say Kowalski and Super Soul do you know what I’m talking about?)

The surface of the car was covered in a thin layer of dirt. Cody didn’t have time to worry about it – he opened up the trunk and threw the bags in, pushing them all the way to the back. As he did so, Rachel jumped into the back seat taking Bootsy with her.

“Take me somewhere nice!” she called out. She always said the same thing when she got in the car.

“Sure thing Miss Daisy,” he said.

(Hands up if you didn’t get this reference? I’m sorry for you.)

Cody opened up the driver’s door. Before he sat down, he reached a hand underneath the seat, checking that the Glock 19 he’d stashed earlier was still there.

It was. He gave the pistol a quick pat and hoped that he wouldn’t need it.

Cody climbed into the Dodge and turned the key in the ignition. He heard the 426 Hemi engine growling and hell yes it was a satisfying sound, even under the most trying of circumstances. Taking a deep breath, he gripped the wood grain steering wheel and allowed himself one last look at the house where his wife had died, knowing that he’d never see it again.

Move it mister. That’s what Kate would have said.

Cody backed the car down the driveway and onto Rittiman Road. It was a quiet area with houses spaced far apart, but it had never been so desolate as it was now. Was there anyone left around here?

Rachel was quiet in the back – perhaps thinking about her Mom, a woman that she’d barely known and yet someone who had cast a long shadow over her young life. Or maybe Rachel was thinking about the house – it was the only home she’d ever known after all. She was leaving her friends and school behind – but none of those things mattered now. Keeping her alive, that’s what mattered.

The Dodge set off, picking up speed.

Cody looked back at the house in the rear-view mirror. One last look.

That’s when he saw her.

The Black Widow was standing on the narrow road that stretched north behind them. Her porcelain doll-like skin glowed against the surrounding darkness; it was a nightmarish beacon that offered anything but hope to those who had the misfortune to see it. She was tall – at least seven feet and rake thin like a skeleton with a thin layer of flesh wrapped around her bones. Her bright red hair was styled in an old-fashioned Edwardian coiffure. It was a look that went well with the long black Victorian-style mourning dress that trailed behind her.

The Black Widow’s eyes – dazzling silver orbs, devoid of pupils watched them go. She didn’t try to stop them but Cody felt little in the way of relief, even as the phantom faded into the distance behind them.

She was letting them go. At least for now.

(Okay then. I think the first chapter does a decent job of setting up the rest of the story. It’s a race against time. We’ve met the two main characters, we have an idea that something terrible is happening in the world, and that this something terrible has set its sights on our main characters. It’s clear what it is though – it’s a chase thing. Most of all, it’s a post-apocalyptic family story. Father and daughter against the end of the world.)


Black Storm (Book 1) and Black Fever (Book 2) are now available to buy on Amazon.





Book Cover Advice for Indie Authors (By an Artist!)


Don’t judge a book by its cover.

Sorry, I couldn’t even type that with a straight face.

Everybody judges a book by its cover and even more so in the realm of indie authors. Why? Because we’re shallow? No, it’s because a professional cover hints at professional quality content underneath. And that’s what we’re looking for right? I’m speaking as a reader here. A poor book cover is a warning sign and I heed those warnings well. You might have the greatest book in the world but if the cover sucks I’ll never get to find out.

A lot of stuff changes in the indie landscape – marketing trends come and go but a good cover will always matter. It’s arguably the most important tool in your marketing toolbox. With that in mind, this post is designed to give authors a little food for thought when it comes to working with your cover designer. You might find something new or you might get a much needed refresher on the fundamentals. The wisdom below does not come from me – it comes from Vincent Sammy, a most talented illustrator and cover designer that I started working with last year.

The questions, they come from me.


Who is Vincent Sammy?

Vincent Sammy is a South African freelance illustrator working in the fields of Horror, Sci-fi, Fantasy and the Macabre.

His work has been featured in publications such as Interzone, Black Static, Beware the Dark, Something Wicked, and Pandemonium Books.

In 2016 he was the cover artist for Interzone.

He was the runner-up in the 2012 This is Horror – Artist of  the year awards  and was nominated again in 2013. He has also been nominated for a BSFA award in 2016.



MARK: What should an indie author consider when approaching a designer?

VINCENT: Unlike mainstream authors who have publishers who usually deal with this sort of thing, indie authors need to source their own artwork. Publishers who have years of experience with books tend to know what the current trends are, what works and what doesn’t. Indie authors dedicate a huge amount of time to their written manuscripts, so to have to deal with cover art can be quite daunting in a sphere that they are not used to.

To make matters worse, they usually don’t have the finances to pay for a qualified book-cover illustrator and designer, both who are usually two separate entities. This is where the problem arises in that the indie author tries to find the least expensive quote to get their cover done, or do it themselves. Here’s where it gets tricky. Authors (indie and traditionally published) tend to think in terms of their whole story and would like the cover to have as much of everything on it. From the main protagonist and antagonist, to certain scenes, to the geographical setting. This makes for a rather cluttered cover.

My advice would be to leave it to the artist to decide what the most striking and evocative visual reference would be to convey the feel of the book. The best way to do this is to let the artist read the book. A synopsis is helpful if no completed manuscript is available, but it doesn’t convey the feel of the characters, so first prize is still a completed manuscript to read. The author is more than welcome to give input and ideas, but try not to force too many visual ideas onto a front cover. Leave that to bad movie posters. Have a look at the artist’s portfolio and be sure that their style is suitable for your work so that you don’t try and force them into trying to recreate the style of the artist that you couldn’t afford. Also remember that this is a collaboration and that both parties need to be happy with the end product. And please, do not grab some bad low-res stock images and get your niece to put it together in Photoshop just because they know how to work it. The results will be a poor visual representation of your written words.


Artwork by Vincent Sammy

MARK: The money thing, it can be a problem. But good designers/covers don’t have to cost the earth, right?

VINCENT: They don’t have to cost the earth but professional designers should also be respected as qualified practitioners of their craft. They’ve either studied art and design or put years of learning into mastering this discipline. At the end of the day, you get what you pay for. There are plenty of artists out there who promote pre-designed covers to sell cheaply to indie authors, but this just leads to your book blending in with the rest of the crowd and not standing out as a unique product. Wouldn’t you rather pay a decent, agreed upon price for your cover than risk having all your hard work disappear amongst so many others?


MARK: Should indies strive for originality or should they be looking to stick within the boundaries of genre? Can the two be intertwined?

VINCENT: It depends on what the book is trying to convey and who wrote it. Originality is always something that I look for as it makes a book stand out. You don’t need that much originality if you’re a big name best selling author – your name on the cover will do the trick. But if you’re a new author and you’d like to be noticed, then the cover is your first port of call. So I would suggest a blend of originality within the framework of well received visual genre touchstones. Your audience should get a feel for what kind of book they are picking up by the look of the cover. Put a spin on what has gone before and let the illustrator’s style shine through.


Artwork by Vincent Sammy

MARK: What are the three most important elements of any book cover?


1 – The emotional impact. It needs to resonate with potential readers within the first two seconds of seeing it. So it needs to have a simplicity that easily reaches out to the potential reader

2 – The title and author typeface. It’s as much a visual reference for what lies inside. It should either be plain and stand out against the visuals, or striking in its appearance against a plain background. The visuals and the text should never compete for attention.

3 – Consistency across a series of books. The visual style needs to remain the same for a book series so that a reader  can easily identify it as belonging to a specific set or series


Artwork by Vincent Sammy

MARK: I read somewhere that thumbnail sized book covers are the size most commonly viewed by online book shoppers. How important is the thumbnail in your opinion?

VINCENT: This is where simplicity plays a big part. At a small scale the artwork, title and author name needs to be as discernible as possible. The reality of the indie market is that it’s mostly an online market, so in a sea of thousands of tiny covers, your work needs to stand out. You’ll see this trend translate to other media as well such as music. In the past you had a whole record cover to play with at a large scale. That got shrunk to CD size and then to a visual representation for online purchases of music. The visual world is getting smaller with tired, strained eyes trying to pick something out from a forest of other tiny works. Make yours stand out.


Keep up with Vincent and his work at the links down below: